Showing posts with label ebook. Show all posts
Showing posts with label ebook. Show all posts

Tuesday, June 14, 2011

Please read: Our ebook is PUBLISHED!!



Writing About Literature in the Digital Age is officially self-published. You can find all three versions the book (PDF, Mobi, and ePub) at Internet Archive's site for it here and at our Goodreads page for it (yes, you can download it there) here.

In addition, you are all now authors on Goodreads - congratulations! To edit your author page, go to the page for our book, click on the link with your name under authors, and click on the link that says "is this you?" and send goodreads an email asking for author status. You will have to be a member of goodreads to do this. I seriously recommend you do this and review our book on goodreads - it will only take a second, for real.

Also, for those who have kindles, please email Derrick (or check his upcoming blog post on how-to) to double check the process of downloading our ebook onto a kindle. I think there are also directions on how to access an ebook from Internet Archive on your kindle here.

Good job everyone!

Webinar Tomorrow

Our class is putting on a webinar tomorrow to talk about how we created an ebook about literature, learning, and technology (in 2 weeks, no less). Anyone is welcome to join. We'd love to see you there!

Monday, June 13, 2011

Publishing a FREE ebook: Narrative of a very frustrating process

The Publishing Team ran into a few glitches today that would be important for you to know:

Problem: little known fact: As an independent publisher, you cannot publish to the Kindle store via Kindle Direct Publishing KDP (as has been our plan since we conceived of publishing our little ebook) and put it out there as "free" (ie. using a Creative Commons License). You must charge at least $0.99 unless you are a small publishing company, so that the big bad Amazon Kindle Co can charge a royalty on your product. (grin)

Solution: We shall instead publish our book (I believe in w/e format we want but this is still to be experimented with as soon as I receive a copy of our ebook) at the less-well-known Internet Archive under their text archive page. I tested this out today by publishing a PDF version of a homework assignment I recently did on Hawthorne's Young Goodman Brown. Derrick will write a post about how to access these published versions of our ebook on a Kindle or an iPad at his blog.

Problem: Several of the sites we considered distributing our ebook through require an ISBN number. Did you know that you can only get an ISBN number through one of 160 publishing companies and that it takes 15 days to process your request as well as having a service fee?

Solution: We're just not gonna publish at those sites. :P so there.

So in the end our plan is to publish to the Internet Archive and possibly Goodreads.

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(added 6/13 4:38 pm)

Answers to Dr. Burton's questions:

What did your team do?

First, I created a diigo list of research I and fellow classmates had done about publishing our ebook. This list, all about publishing ebooks, might be useful to future classes or individuals who are concerned with this process.

Then, I read through and summarized this research for the class on my blog.

Next, I read through information on publishing via KDP and ran into quite a few glitches which are narrated here and here. You can also read through my notes that help you understand my process at a googledoc I kept open as I read to use to present about publishing later for our class.

What tools did you use? 

Diigo, google docs, google search, blog search, and eventually I will use Internet Archive and Goodreads to publish our ebook.

How did this coordinate with the overall effort?

Kept the class informed via posts on my blog and kept in touch with the editing and design team in order to make sure formating was correct for what we were publishing and getting a copy of our book. 

What went well or could go better?

See my the beginning of this post narrating the frustrating process of trying to publish an ebook and share it for free. 

Worries about Publishing

I've created a document of things we'll need to talk about with regard to publishing our ebook today. Too be honest, after reading the publishing handbook for Amazon KDP today, I'm a little concerned about whether we're able to publish our ebook as a free ebook. We'll need to discuss this and other issues today in class.

Friday, June 10, 2011

Places to Publish

We can publish to four different online publishers with our book in ePub format: 

  1. Kindle Direct Publishing - best option in my opinion, most readers. There is a GREAT how-to guide here.
  2. Barnes and Noble PubIt - We might actually have to have a "dumbed down format" like a Word, HTML, RTF, or TXT file, because this site's intention is to put it into ePub for you, but that would be easy with Calibre. Also I am not totally positive we can do it here because they take a 35% royalty so I'm not sure they'll take free ebooks
  3. iTunes connect - this requires an application process and may take a long time so doesn't really work too well for our class. 
  4. and Lulu which would get us into the iBookstore and Lulu's store which claims to have a large community of readers; I don't know how many of those readers will be our intended audience though.
Other options: 

Ashley Lewis also suggested we publish to Goodreads. I don't know what format Goodreads takes since they told her to contact them again "once the ebook is ready" before we could proceed, but it doesn't seem like it'd be too difficult a process. 

Ben had suggested we publish to Gutenberg but I don't think they'll take our book as it doesn't fit within their qualifications:

"Confirm the eBook has already been published by a bona-fide publisher (i.e., not self-published or unpublished). Project Gutenberg generally is not suitable for unpublished work. In cases where a work was published by a very small publisher or not widely distributed, Project Gutenberg might request copies of published literary reviews or similar documentation to demonstrate recognition of the work's literary value."  - Project Gutenberg publishing
 Publishing to Google books might also be a fairly easy option, but they will require both an ePub and a PDF version of the book. We would only have to follow steps 14 and 15 here after creating our book in both formats. This writer says it's a fairly simple process.

My suggestions: 

I think we should publish with Amazon Kindle, Goodreads, and Googlebooks. I believe this will reach the widest audience as a free ebook. Kindle will of course reach the most people, but those who don't use Amazon very frequently and want to read on their computers without an ereader will probably be able to just read it at googlebooks or if they're a big social reader, goodreads. Goodreads might take a little longer so we should have our book ready as soon as possible to complete the process.

Wednesday, June 8, 2011

Final Draft

My Final Draft is here including pictures in the correct sizes/ dimensions. Where do we send it to and in what format? Anyone know? (I wasn't in class Monday.)

Tweetable Thesis

I wasn't in class Monday, so I didn't know we were doing this but here's my attempt:

1st thesis: Students of literature must read and engage in a process of social inquiry and discovery, enabled by the richness of online resources, in order to properly engage with a text as it exists in today’s world.


Tweetable thesis: Students of literature must engage in a process of online social inquiry in order to properly engage with a text as it exists today.


What do you think? Still make sense?

Friday, June 3, 2011

Pic for Social Reading

Looking for some feedback on this picture? What do you think of it as a header for my eBook chapter?

Creative Commons | HikingArtist.com

Social Reading and Research (first draft of ebook chapter)

Prominent literary critic Harold Bloom writes that “real reading is a lonely activity and does not teach anyone to become a better citizen” (Richter, 226). Yet in this same epilogue to his book The Western Cannon: The Books and School of the Ages he claims that “such a reader” reads to “enlarge a solitary existence” (Richter, 226). I find these two statements somewhat at odds with each other and tend to agree more with the later than the former, especially within today’s reading population. Reading is no longer “lonely” and has so much more capacity to “enlarge a solitary existence” by the connections one is able to make with others simply by sharing what one reads online. In the digital information age, individuals and the information they produce are increasingly connected not only by social ties, but ties of information and interest.  Online research of a theme in a book is only a few clicks away from the individual who produced that research. Knowledge is becoming socialized in a way it never has before and literary knowledge is swept up in that bundle as well. I would argue, through my experience this semester, that readers are not only limited when they do not allow themselves access to this socially connected knowledge, but, further, that they are not fully informed and cannot experience the text as it exists socially today. Students of literature must read and engage in a process of social inquiry and discovery, enabled by the richness of online resources, in order to properly engage with a text as it exists in today’s world.

Traditional literary reading and research would have us read the paper copy of the text in isolation, ask several questions about it and do a close reading explication of it, and find a few articles to corroborate our interpretation. Depending on your method or your instruction, you can rearrange the order of those tasks.  I started my academic journey in this way, reading my copy of Mark Twain’s The Adventures of Huckleberry Finn and going to the library to search out articles about the subject I was primarily concerned with in the book: the censorship of the N word in Alan Gribben’s latest edition. This is a hot topic in academic circles right now. I found an article that interested me from the Chronicle of Higher Education entitled The Redacted 'Huckleberry Finn': 'Chronicle' Bloggers Respond. Intrigued by the summary of several different arguments revolving around the N word issue, I followed this lead to the Chronicle’s blog (2011). Here I found academic and internet community collide. On these posts academics wrote, posted these articles online, and anyone who wanted could respond via the comments section.  There were even dissenting arguments! I followed one comment to the commenters blog and sent him an email asking more about his opinions. This is just one way information can lead to people who can lead to more information.

It reminds me of a theme in the very novel I was researching. Huckleberry Finn and his friend Tom Sawyer put a lot of stock in “book learnin'”.  At several points in the novel, Tom wants to do everything by the book, at one point chastising his friend Ben when he asks why they can’t play a their game a certain way. Tom says: “Because it ain't in the books so -- that's why. Now, Ben Rogers, do you want to do things regular, or don't you? -- that's the idea. Don't you reckon that the people that made the books knows what's the correct thing to do? Do you reckon you can learn 'em anything? Not by a good deal” (Twain, 11). But in reality, Huck doesn’t begin to really learn until he gets away from a structured school environment and associates with others.  It is in long discussions with Jim, his socially acquired knowledge, that Huck learns the most important lesson and decides not to give Jim up; he discovers that doing what society says is “right,” doesn’t always feel right and decides he’d rather “go to hell” and help a good man become free, than betray his friend (Twain, 217).

Just as Huck has to search outside of books to learn the most important lessons of the novel, readers and students of literature must take off on a wider river of information in order to understand the current social significance of what we read. In my own research journey, I found a plethora of resources that increased my understanding of the novel and involved me in ongoing discussions about it. Listening to the audio version of the novel contextualized the sounds of the dialects I was reading. Searching for syllabi online helped me understand the controversies and issues currently being discussed about the novel. I found a hypertext version of the novel that linked to pictures of the action that helped me as a reader to visualize the plot.  Searching the social streams (such as twitter) that were discussing the novel helped me to find interesting things others were doing with the novel and author such as google maps all the important locations Mark Twain’s life, literary pilgrimages one could take to explore the novel and Twain’s life, photos of original copies of the novel, and even a version of the book translated into bar codes. I also found plenty of blogs and groups discussing themes from the novel. All of these resources and more enriched my study and more fully contextualized my understanding of the issues I was researching. I could not have engaged with the novel to the same degree without using these methods of digital and social inquiry and it is necessary for students of literature today to do the same, because knowledge isn’t isolated anymore. The internet makes even reading a social process.

Richter, David H. Falling into Theory: Conflicting Views on Reading Literature. Boston: Bedford, 2000. Print.

"The Redacted 'Huckleberry Finn': 'Chronicle' Bloggers Respond." Chronicle of Higher Education 57.21 (2011): B4. Print.

Twain, Mark. The Adventures of Huckleberry Finn. New York: Barnes and Noble Books, 2003. Print.

Monday, May 30, 2011

Free, Simple, Quick, Painless ebooks (I think)

While we do have the option of just using an online converter to change a Word doc version of our book into HTML (More specifically XHTML, Nyssa - my husband says the only difference between HTML and XHTML is that XHTML conforms to higher standards so you have to remember to close all your tags and such but it's essentially the same), the converters are not always perfect and then we'd probably need someone to double check the coding for us. Assuming (pretty sure this is a safe assumption) that none of us are fluent in XHTML coding, this could pose problems.

Nyssa found a way to use Adobe InDesign to export to ePub, but I'm not sure any or enough of us are familiar with InDesign. Besides, I think we (my genius husband and I) have found a way to convert directly from a PDF to ePub format. This would not only skip the XHTML conversion step but also put most of us in a format that we're probably more familiar with: the PDF. Here's the article that explains this.

It looks like it's originally intended for users who already have ebooks in PDF format and are frustrated that their chosen ebook readers don't support PDF format, and so can use this platform to convert their book into ePub which is supported by most ebook readers. Interesting note: the article says the ebook situation is similar to when the music industry was trying to find a uniform format and now ePub is the closest format we have to the comparable music Mp3.

The article has directions for how to use this "free and cross-platform ebook management tool," Calibre, to accomplish the task and it looks relatively painless and quick. I think we should at least give it a shot, though we may need to understand more about PDF/ ePub formatting of ebooks so we know what is allowed, like what Nyssa discovered about graphics in the ePub format, etc.

Anyways, check out the article about this process and the demo video on the Calibre home page to learn more. Let me know what you all think!